'Susan Hauptman' sees her many selves
It’s a simple question without a simple answer: Why do we look at portraits and self-portraits of people we don’t know?
In fact, that question triggers others, more than it does an answer: Can we imagine a life from looking at a picture? And when we are intrigued by a face, do we make an effort to find out more about that person?
For some people, the pleasure of a portrait may be more basic: They just like to admire the skill of a painter who can depict someone well. Or is the ongoing fascination with portraiture an oblique form of narcissism?
For most viewers, it’s probably a mix of these interests, along with a few others. And when the work is a self-portrait, there is the added fascination with what the artist wants to reveal or say about him or herself.
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